ISSUE 2.3 (WINTER 2006)

Articles

Casey Cothran, “Fanged Desire: the New Woman and the Monster” PDF Version

Adeline Johns-Putra, “Home and the Harem: Early Nineteenth-Century Orientalist Representations of Women by Women” PDF Version

Anna Marutollo, “A Long Way from Home: De-constructing the Domestic and Re-constructing Empire in Brontë’s Villette and Eliot’s Mill on the Floss ” PDF Version

Reviews

Eric Eisner, “Revolutionary Women.” Review of Adriana Craciun’s Fatal Women of Romanticism and British Women Writers and the French Revolution: Citizens of the World. PDF Version

Rita Bode, “Reconfiguring Pictures: Pre-Raphaelite Images in the Victorian Novel.” Review of Sophia Andres’s The Pre-Raphaelite Art of the Victorian Novel: Narrative Challenges to Visual Gendered Boundaries. PDF Version

Daniel Wong, “Escaped Nuns, Crafty Jesuits, and the Many Uses of Anti-Catholic Fiction.” Review of Susan M. Griffin’s Anti-Catholicism and Nineteenth-Century Fiction and Diana Peschier’s Nineteenth Century Anti-Catholic Discourses. PDF Version

Kathryn Crowther, “Curing Cultural Dis-ease: Illness as Social Critique in the Novels of the Brontë Sisters.” Review of Beth Torgerson’s Reading the Brontë Body: Disease, Desire, and the Constraints of Culture. PDF Version

Gordon Bigelow, “Dickens’s Costs.” Review of Paul A. Jarvie’s Ready to Trample on All Human Law: Financial Capitalism in the Fiction of Charles Dickens. PDF Version

David Hennessee, “Between Friends, Sodomites, and Semites: A New Look at Victorian Democracy.” Review of Richard Dellamora’s Friendship's Bonds: Democracy and the Novel in Victorian England. PDF Version

Robin Chamberlain, “Sexing the Brain.” Review of Rachel Malane’s Sex in Mind: The Gendered Brain in Nineteenth-Century Literature and Mental Sciences. PDF Version

Brandon Jernigan, “Incorporating Technology, Industrializing Subjectivity.” Review of Nicholas Daly’s Literature, Technology, and Modernity, 1860-2000. PDF Version

Editors-in-Chief: Stacey Floyd and Melissa Purdue

Reviews Editor: Lauren Goodlad

Techinical Editor: Josh Reid